Baiju Bawra (film)

Baiju Bawra ("Baiju the Insane"), was a dhrupad musician from medieval India. Nearly all the information on Baiju Bawra comes from legends, and lacks historical authenticity.[1] According to the most popular legends, he lived in the Mughal period during the 15th and 16th centuries. He was one of the court musicians of Man Singh Tomar of Gwalher. 

Baiju Bawra (lit. 'Baiju the Insane') is a 1952 Hindi film directed by Vijay Bhatt. Produced by Prakash Pictures, with story by Ramchandra Thakur and dialogues by Zia Sarhadi, Baiju Bawra was a musical "megahit" which had a mighty run of 100 weeks in the theatres.

Bhatt's decision to make a film based on classical music was met with scepticism by the Indian film industry due to its "lack of mass appeal", but the film and music turned out be an "overwhelming success".

The film's music director was Naushad, who had become popular giving folk-based music in films such as RattanAnmol GhadiShahjehan (1946) and Deedar (1951). With Bhatt's Baiju Bawra, Naushad introduced a classical component in Hindi film songs.

The soundtrack was based on classical ragas such as Puriya Dhanashree, Todi, Malkauns, Darbari and Desi.
The lyricist was Shakeel Badayuni, a Naushad discovery. For Baiju Bawra, he had to forgo Urdu, and write lyrics in pure Hindi, with songs such as the bhajan "Man Tadpat Hari Darshan Ko Aaj", becoming popular

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