Travel Films not to be Missed - SDP Recommendations

The Way is a 2010 American-Spanish drama film directed, produced and written by Emilio Estevez and starring Martin Sheen, Deborah Kara Unger, James Nesbitt, Yorick van Wageningen, and Renée Estevez.

The film honors the Camino de Santiago and promotes the traditional pilgrimage. Saying he did not want the film to appeal to only one demographic, Emilio Estevez called the film "pro-people, pro-life, not anti-anything".

Into The Wild is the true story of Christopher McCandless, a recent college graduate who gives away his live savings and hitchhikes to Alaska. He meets all kinds of people along the way, each with their own stories. In Alaska, he heads out into the wilderness to live on his own. His life is filled with random adventures and experiences while he makes his way up to “The Last Frontier”. This is what travel is all about to me. Experiences, good and bad, make you who you are. And long term travel is FULL of new experiences.

127 Hours is a 2010 British biographical survival drama film co-written, produced and directed by Danny Boyle. The film stars James Franco, Kate Mara, Amber Tamblyn and Clémence Poésy. In the film, canyoneer Aron Ralston must find a way to escape after he gets trapped by a boulder in an isolated slot canyon in Bluejohn Canyon, southeastern Utah, in April 2003. It is a British and American venture produced by Everest Entertainment, Film4 Productions, HandMade Films and Cloud Eight Films.

The Motorcycle Diaries (Spanish: Diarios de motocicleta) is a 2004 biopic about the journey and written memoir of the 23-year-old Ernesto Guevara, who would several years later become internationally known as the iconic Marxist guerrilla leader and revolutionary Che Guevara. The film recounts the 1952 expedition, initially by motorcycle, across South America by Guevara and his friend Alberto Granado. As well as being a road movie, the film is a coming-of-age film; as the adventure, initially centered on youthful hedonism, unfolds, Guevara discovers himself transformed by his observations on the life of the impoverished indigenous peasantry. Through the characters they encounter on their continental trek, Guevara and Granado witness first hand the injustices that the destitute face and are exposed to people and social classes they would have never encountered otherwise. To their surprise, the road presents to them both a genuine and captivating picture of Latin American identity. As a result, the trip also plants the initial seed of cognitive dissonance and radicalization within Guevara, who would later view armed revolution as a way to challenge the continent's endemic economic inequalities and political repression.